just curious i never seen any manufacture provide detail spec of their optics. such as optical resolution/spatial frequency, focal length, optical cut-off frequency, field of view at min magnification vs max magnification etc. since I can't hold/see the optic, but if the manufacture provide these spec, it will tell me how good their optic is.
anyway, i thought would be good if manufacture can provide these detail. here is some definition for image system, these are use for any image system eg. cameras etc, but the optical definition for the optic should be same for both camera and scopes
f#=focal_length/aperture(mm).
Optical Resolution-Can be measured as limiting spatial frequency in focal plane (usually cycles/mm) or object plane (usually cycles/m). Bascially if you holding a card with different thickness of line separated by different distance, your will eventually see the line become blur or mesh up together thats the optical resolution.

Shorter focal length gives wider field of view
It also lowers the f# for fixed aperture, which increases the spatial cut-off frequency in the focal plane
Larger aperture (for fixed focal length) also lowers f/# increasing the spatial resolution
High FOV with high resolution requires a large aperture and short focal length (small f-number).
Optics
•–Lens or lens system on a camera in our application.
•Angular field of view
–Angle of coverage of the full focal plane array based on the focal length of the optics (radians or degrees).
•Spatial field of view
–Linear spatial dimension(s) of the field of view in the scene at a given distance that can be captured by the full focal plane array (e.g., 10 m at a distance of 200 m).
•Spatial cut-off frequency
–The highest spatial frequency in cycles per unit distance (e.g., cyc/mm) that can pass through an optical system without being completely eliminated.
–Depends on where you measure it (what distance from lens). Usually we measure in the focal plane or object plane.
•Angular cut-off frequency
–The highest angular frequency in cycles per unit angle (e.g., cyc/mrad) that can pass through an optical system without being completely eliminated.
–Independent of distance from lens.
•Object plane
–The plane in the scene that is to be focused by the optics onto the focal plane.
•Focal plane
–The plane behind the lens where the scene is projected and where we put our detector (focal plane array).
•Focal plane array (FPA)
–The detector array that is placed in the focal plane to sample the image and ultimately generate pixel values.
•Sampling frequency
–Number of samples per unit distance. It is one over the pixel pitch. Measured in samples/unit distance or equivalently in cycles/unit distance (if we think of a sampling cycle
•Nyquist frequency
–The highest frequency component present in a spectral analysis of a continuous signal. Usually equal to the cut-off frequency of the optics for us (and it can never be above the cut-off frequency). (usually measured in cycles/mm).
•Nyquist rate
–2 x the Nyquist frequency and the minimum sampling rate that can be used without aliasing.
–If you sample above the Nyquist rate, you are guaranteed to be able to recover the continuous information without loss. Exactly at the Nyquist rate, you may or may not be able to recover the signal depending on the particular signal and timing.
•Undersampling
–Sampling at a sampling rate that is below the Nyquist rate.
–Undersampling factor is the multiplicative factor by which our sampling frequency is below the Nyquist rate.
•Aliasing
–When you undersample, there are many possible continuous signals that would give rise to your samples. Thus, your samples do not uniquely specify one continuous signal, they only give you a wide range of possible “aliases” for that signal (you don’t know which is the correct one).
–Aliasing as a verb is the process of undersampling.
–Aliasing as a noun is the visual artifact you get when you undersample an image and display it through a D/A converter. It usually looks like a Moire pattern on quasi periodic structures or jagged diagonal edges.
•Pixel
–Picture element. The numerical value (or values for color) for one spatial location in a digital image. Each detector on the FPA produces one pixel.
anyway, i thought would be good if manufacture can provide these detail. here is some definition for image system, these are use for any image system eg. cameras etc, but the optical definition for the optic should be same for both camera and scopes
f#=focal_length/aperture(mm).
Optical Resolution-Can be measured as limiting spatial frequency in focal plane (usually cycles/mm) or object plane (usually cycles/m). Bascially if you holding a card with different thickness of line separated by different distance, your will eventually see the line become blur or mesh up together thats the optical resolution.

Shorter focal length gives wider field of view
It also lowers the f# for fixed aperture, which increases the spatial cut-off frequency in the focal plane
Larger aperture (for fixed focal length) also lowers f/# increasing the spatial resolution
High FOV with high resolution requires a large aperture and short focal length (small f-number).
Optics
•–Lens or lens system on a camera in our application.
•Angular field of view
–Angle of coverage of the full focal plane array based on the focal length of the optics (radians or degrees).
•Spatial field of view
–Linear spatial dimension(s) of the field of view in the scene at a given distance that can be captured by the full focal plane array (e.g., 10 m at a distance of 200 m).
•Spatial cut-off frequency
–The highest spatial frequency in cycles per unit distance (e.g., cyc/mm) that can pass through an optical system without being completely eliminated.
–Depends on where you measure it (what distance from lens). Usually we measure in the focal plane or object plane.
•Angular cut-off frequency
–The highest angular frequency in cycles per unit angle (e.g., cyc/mrad) that can pass through an optical system without being completely eliminated.
–Independent of distance from lens.
•Object plane
–The plane in the scene that is to be focused by the optics onto the focal plane.
•Focal plane
–The plane behind the lens where the scene is projected and where we put our detector (focal plane array).
•Focal plane array (FPA)
–The detector array that is placed in the focal plane to sample the image and ultimately generate pixel values.
•Sampling frequency
–Number of samples per unit distance. It is one over the pixel pitch. Measured in samples/unit distance or equivalently in cycles/unit distance (if we think of a sampling cycle
•Nyquist frequency
–The highest frequency component present in a spectral analysis of a continuous signal. Usually equal to the cut-off frequency of the optics for us (and it can never be above the cut-off frequency). (usually measured in cycles/mm).
•Nyquist rate
–2 x the Nyquist frequency and the minimum sampling rate that can be used without aliasing.
–If you sample above the Nyquist rate, you are guaranteed to be able to recover the continuous information without loss. Exactly at the Nyquist rate, you may or may not be able to recover the signal depending on the particular signal and timing.
•Undersampling
–Sampling at a sampling rate that is below the Nyquist rate.
–Undersampling factor is the multiplicative factor by which our sampling frequency is below the Nyquist rate.
•Aliasing
–When you undersample, there are many possible continuous signals that would give rise to your samples. Thus, your samples do not uniquely specify one continuous signal, they only give you a wide range of possible “aliases” for that signal (you don’t know which is the correct one).
–Aliasing as a verb is the process of undersampling.
–Aliasing as a noun is the visual artifact you get when you undersample an image and display it through a D/A converter. It usually looks like a Moire pattern on quasi periodic structures or jagged diagonal edges.
•Pixel
–Picture element. The numerical value (or values for color) for one spatial location in a digital image. Each detector on the FPA produces one pixel.